From first take.
To your sound.

4000 E-inspired console workflow: assertive feed-forward VCA compression, Black / Brown EQ curves, independent gate/expander and switchable EQ order. Tight drums, forward rock vocals and guitars. Original FNT interpretation; not a measured circuit replica.

88RS-inspired wide-range four-band EQ, smooth linked RMS compression, sidechain bass filtering and gentle console color. Preserves weight and stereo stability on vocals, acoustic recordings and buses. Original FNT interpretation; not a measured circuit replica.

Vision-inspired proportional-Q equalization, discrete-style color and Old feedback / New feed-forward compression. Select stepped musical EQ centers for drums, bass and energetic guitars. Original FNT interpretation; not a measured circuit replica.

ISA-inspired precision shelves and parametric mids, switchable clean VCA / Vintage opto dynamics, an Air shelf and selective de-essing. Clear vocals, acoustic guitar, piano and detailed recordings. Original FNT interpretation; not a measured circuit replica.

VOXBOX-inspired tube character, optical leveling before EQ, broad low/high peaking boosts, a mid dip and band-selective de-essing after EQ. Intimate vocals, round bass and warm acoustic instruments. Original FNT interpretation; not a measured circuit replica.

Seven-band tone and dynamic control, bass-aware stereo glue, oversampled analog color, bass mono focus, mono audition and an independent reconstructed-peak lookahead limiter. Live LUFS estimates, correlation and separate reduction meters. Full-song delivery analysis for WAV and MP3 exports.

The complete 67-pedal Full Stack library in a stereo channel insert. Build up to eight pedals, bypass and reorder them. Use on the same channel as FNT Amps: board before amp for drive, board after amp for echo and space.

Lift quieter musical detail with an envelope-controlled upward gain. A soft floor avoids raising silence; Blend gives parallel control.

Center the bass while preserving upper stereo detail. Body balances the clean low band; Bass width restores some low-frequency spread.

Adjust low, middle and high side energy independently. Mono content stays centered; use Mono check to audition the center signal.

Playing strength opens a smooth low-pass filter. Sensitivity controls the response, Range sets the sweep and Decay follows the end of each phrase.

Cross-fed echoes step behind the source and rise into the gaps. Filtered, bounded feedback keeps the tail controlled. Dry sound stays immediate.

Capture a short window, then repeat it. Each new capture follows the previous repeats. Window counts sixteenth notes at session tempo. Soft splices smooth the loop edges.

Independent overlapping delay heads shift left and right in opposite directions. Pitch spread adds width without a repeating chorus LFO; Blend retains the direct attack.

Keep bass fundamentals clean while adding upper-band harmonics. Crossover separates the bands; Body balances the preserved low end.

Rounded stereo movement accelerates with the energy of your playing. Envelope sets the response; turn it down for a steady sway.

Target a narrow 50 or 60 Hz hum and its harmonics. Choose the electrical frequency and the number of notches. This removes tonal hum rather than broadband hiss.

Original FNT channel strip: input drive, four-band EQ and filters, gate/expander, linked compression and output blend. Zero lookahead; no automatic makeup. Inspired by console workflows, not a circuit emulation.

Learn comparable source and reference sections, then fit a smooth, editable seven-band correction. Level-independent analysis, bounded boosts and cuts, and linked stereo processing.

An original spectral processor that softens moving resonances while preserving the surrounding tone. Shape where it listens, tune the response, and audition only the sound being removed.

Clean up pauses with a hysteresis gate or gently lower background sound with expansion. Detector filters affect the trigger only.

Shape the attack, body and sustain of rhythmic material. Start at zero for unity; positive settings add gain deliberately.

Five original modulation algorithms with smooth movement, stereo control and tempo sync.

Draw the rhythm that lets audio pass. Four, eight or sixteen beat loops with note-length gates and smooth edges.

Six original stereo room impulses from FNT Pedal Factory, including Holy Ghost in Genoa and St Vitus in Prague. Choose a space, then set pre-delay, width, filters and blend.

Soft magnetic-style saturation, low-end head bump, adjustable bias, tape speed and wow/flutter. Parallel blend and output trim keep it easy to match levels.

Adjustable randomized dust pops, fine clicks, surface hiss and drifting pitch. Wear softens the top end; mix blends the record texture into your sound.

One saturation slider moves from clean warmth to asymmetrical tube-style breakup, with automatic drive compensation.

Forge the voice with filters, parallel grit and a gate; stack modulated doubles and diffusion; finish with a ducked stereo room and echo. Original FNT processing for aggressive vocals.

Build diatonic thirds, triads, octaves, choirs and gang vocals from one monophonic vocal. Follow a keyboard MIDI or analyzed guitar/audio guide, or choose the key and scale. Pitch-synchronous voices preserve the vocal envelope; independent timing, detune and pan add size. 64 ms compensated delay.

Gentle Natural Chromatic correction opens by default. Pitch-synchronous resynthesis, stable clean-reference tracking and vibrato preservation keep expressive vocals intact. Choose a key for stronger correction or Hard Tune for a deliberate effect.

44 original FNT amp models in six sound families, named channels and modeled speaker impulses. Available on audio-track and session inserts. Amp and cabinet processing only.

Dense stereo room and hall ambience with input diffusion, gently modulated feedback, early reflections and warm damping. Use 100% wet on an aux return.

Softly saturated, darkening repeats with gentle wow and flutter. Use 100% wet on an aux return.

Cross-feedback stereo repeats with time spread and low/high filtering. Use 100% wet on an aux return.

Stereo-linked compression, gentle tone shaping and a 5 ms lookahead limiter with optional 4× reconstructed true-peak detection. New instances start at unity makeup and a −1 dB ceiling; saved instances retain their existing gain. Whole-file loudness is analyzed at export.

Fast, forward control inspired by vintage 1176-style FET limiters. Great for drums, bass and energetic vocals.

Gentle leveling inspired by LA-2A-style optical compressors, with a slower, program-dependent recovery. A smooth starting point for vocals and bass.

Soft-knee, variable-ratio glue inspired by Fairchild-style tube limiters. Designed for a rounded, warm finish.

High-pass, low shelf, four fully parametric bands and low-pass. Start flat, then shape only what you need.

Wide-band sibilance detection drives a smooth dynamic high shelf. Linked channels, short hold and gentle recovery tame S, SH and T sounds while retaining the body of the voice. Listen to the detection band to find the harshest range.