Your entire rig.
Your own voice.

Snappy black-panel clean and a warmer pushed channel for country, blues and pedal-driven rock. Bloom is an FNT gain voicing, not a recreation of the hardware tremolo channel.

Channels: Glass · Bloom

Full low mids, woody attack and soft supply compression. Normal is rounded; Bright opens the top and tightens the low end.

Channels: Normal · Bright

Firm, clear headroom for jazz, funk and chorus-based cleans. Bright is a second clean voice. Add a chorus pedal separately; onboard stereo chorus is not modeled.

Channels: Pure · Bright

Dimensional clean body and a smooth, vocal overdrive with restrained top end. Designed for touch-sensitive blues and fusion.

Channels: Bloom · Vocal Drive

Two complementary chime voices: clear twin-triode sparkle and a thicker pentode-inspired midrange. FNT adds a three-band EQ to both.

Channels: Spark · Copper

Fast attack, focused bass before gain and a vocal middle. Clean, Crunch and liquid Lead are FNT selections from the Mark-family palette; the hardware nine-mode system and graphic EQ are not replicated.

Channels: Clean · Crunch · Liquid Lead

Broad low-mid weight and aggressive rhythm texture. Vintage has a softer power supply; Modern is tighter and more immediate.

Channels: Clean · Vintage · Modern

Open Plexi-style clean, muscular crunch and a smooth saturated lead. Rich mids and a controlled high-frequency edge for classic and modern rock.

Channels: Plexi · Hot Rod · Saturated

A punchy normal channel and focused, harmonically rich overdrive. Cold-biased gain and controlled coupling support articulate hard rock leads.

Channels: Normal · Super Lead

Round clean headroom and thick, textured dirty-channel mids for alternative, stoner and heavy rock. FNT spring is separate from the hardware reverb design.

Channels: Clean · Dirty

Three complementary FNT voices: open clean, chewy blue-channel crunch and a smooth red-channel lead. Voiced for a broad midrange and elastic power response.

Channels: Clear · Blue Crunch · Red Lead

Firm, sharply defined low-tuned rhythm and a dense lead. FNT selects Clean, Crunch and Lead from the four-channel reference; hardware switching and noise gate are separate.

Channels: Clean · Crunch · Lead

Clear clean, open crunch and percussive high gain with strong string separation. Original three-channel interpretation; gate, reverb and cabinet are supplied by the rig.

Channels: Blue Clean · Green Crunch · Purple Gain

Punchy American-style clean and a high-gain burn voice with a thick centre and tight attack. The hardware boost and gate are not built into this model; add input pedals to taste.

Channels: Clear · Burn

Authoritative headroom with a firm low end. Normal keeps the body; Brilliant adds upper-mid cut. Two separately voiced inputs are presented as switchable channels.

Channels: Normal · Brilliant

Thick, mid-forward small-combo breakup with soft power compression. Round and Bite are FNT channel interpretations; tremolo and spring reverb are separate pedals.

Channels: Round · Bite

Broad clean headroom and an expressive mid-kick voice. Open and Push are FNT switchable interpretations of the reference voicings, with independent gain and EQ memory.

Channels: Open · Mid Kick

Full, firm bass fundamentals and upper-mid growl. Deep and Grind are FNT gain voices of a bass-head direction, not two hardware channels. Choose a suitable cabinet or disable cab simulation for a DI sound.

Channels: Deep · Grind

Warm, rounded American clean and a softly pushed second FNT voice. This models the gain character only: use Sea Sway or Moon Phase for modulation; hardware vibrato and reverb are not replicated.

Channels: Twilight · After Hours

Weighty low mids with articulate attack and a smooth compressed lead. FNT condenses the four-channel reference into Clean, Mega and Lead; per-channel hardware inserts are not modeled.

Channels: Clean · Mega · Lead

Wide black-panel clean headroom, scooped low mids and firm lows. Normal and Bright are input voicings; tremolo and reverb remain separate effects.

Channels: Normal · Bright

Small-combo American sparkle with earlier, rounded power breakup. Pushed is an FNT gain extension of the single-channel reference; effects are separate.

Channels: Clean · Pushed

Lean, percussive British crunch with a cold-biased gain stage and forward upper mids. Low and High are FNT input/gain selections, not two hardware channels.

Channels: Low Input · High Input

Bright clean, grainy rhythm clipping and a thick, smooth lead. FNT models the gain character of the diode-assisted Jubilee direction; mode switching is simplified.

Channels: Clean · Rhythm Clip · Lead

Elastic EL84-style chime with little feedback and soft power compression. Normal is broad and simple; Top Boost has the interactive treble/bass direction. FNT adds mid EQ.

Channels: Normal · Top Boost

Firm, articulate boutique chime with an open middle and touch-sensitive breakup. Boost is an FNT gain extension; the hardware Cut and EQ bypass are condensed into these voices.

Channels: Open · Boost

A clear, lively clean voice beside dense, harmonically rich drive. The FNT channels retain boutique touch response while the high-gain path tightens the bass.

Channels: Clean · Hot

Clean headroom, gritty rhythm and an assertive, tightly coupled lead. The hardware pre-boost, Dynamics and Watts controls are represented by the voice, not independent hardware circuits.

Channels: Clean · Rhythm · Lead

A pristine clean voice and sharply defined modern crunch/lead. Tighter interstage bass and firmer supply response distinguish this from Ironwake. Hardware gate and boost remain separate.

Channels: Clean · Crunch · Lead

Dry, immediate pick response with broad mids and a controlled low end. Less and More reinterpret the single-channel reference gain switch; the hardware dual-gain controls are condensed.

Channels: Less · More

Broad, clear clean headroom and a smooth, focused lead. An original gain and tone interpretation, without onboard effects.

Channels: Clean · Lead

A sparkling clean, tight hot crunch and saturated lead with quick recovery. Three FNT channels cover a wide high-gain range.

Channels: Glass · Crunch · Lead

Open clean, muscular British crunch and a singing high-gain lead. FNT condenses the hardware channel and mode choices into three voices.

Channels: Clean · Crunch · Overdrive

Precise glassy cleans, articulate crunch and a polished ultra voice. Hardware modulation and delay are not included in the amp model.

Channels: Clean · Crunch · Ultra

Big American clean headroom with a rounded Normal and an added FNT Bright voice. Reverb and tremolo are separate effects.

Channels: Normal · Bright

Rich boutique clean and dense, harmonically lively overdrive with a firm low end. Original FNT reduced behavioral models.

Channels: Clean · Overdrive

A clear American rhythm voice and a warm, soft-edged tweed lead. Attenuator, tremolo and reverb hardware are outside this gain model.

Channels: Rhythm · Lead

Fast, controlled clean bass and an upper-mid growl. Clean and Drive are FNT voices; the hardware bi-amp routing is not modeled.

Channels: Clean · Drive

American clean headroom · early, scooped passive EQ shapes the following gain stage. Bass, Middle and Treble interact.

British stack crunch · follower-driven passive EQ, forward mids and responsive phase-inverter breakup.

Top Boost-style sparkle · Treble trades low end for brilliance. Mid contour is an added control; 5.0 is the reference setting.

Hot British lead · warmer staged gain, follower compression and a more elastic power supply.

Calypso-modified 6505+ direction · two channels, firmer lows, swept mids and adjustable power-stage response. Independent Rhythm/Lead gain and EQ; shared Presence, Resonance and mod controls. Original FNT interpretation, not a hardware capture.

Cascaded American high gain · tight coupling, plate-driven passive EQ and a firmer power stage keep low riffs defined.

Metal Zone MT-2-inspired dual-stage metal drive with powerful Low / Middle / High EQ and sweepable 200 Hz–5 kHz mids.

Metal Core ML-2-inspired extreme rhythm distortion. Tight low end, sharp attack and simple Low / High shaping for down-tuned riffs.

Shift chords or notes by semitones, from a low octave to a high octave.

Fold peaks into bright, complex harmonics with 4× processing.

Trade warmth for brightness around an adjustable pivot.

Three tuned resonators add a sympathetic root, fifth and octave.

Uneven pitch drift with gently changing random motion.

Germanium-style treble boost: lean bass and cutting upper mids. Rangemaster direction; buffered input cannot reproduce pickup loading.

SD-1-inspired asymmetric feedback drive: focused mids, restrained bass and an unequal clipping knee.

An original common-source JFET preamp with soft asymmetry, source degeneration and adjustable bandwidth.

CE-1-style warm preamp and broad, filtered chorus movement. Choose CE-2 or fully wet vibrato in Controls.

An original monophonic lower-octave fuzz. Blend a synthesized sub voice under gritty fuzz; best on single notes.

Sweep a focused mid boost or cut with variable bandwidth. An original active parametric EQ voice.

Blend crunchy and heavy British preamp paths. A Dookie Drive two-voice direction, with independent gain controls.

Maestro FZ-1-inspired three-transistor rasp with short coupling and a native 3 V supply character.

A silent volume divider with an audio taper. Turn Level to fade or mute; matching preserves your chosen level.

An original compact echo with progressively darker, bass-filtered repeats. Shared tap tempo reaches six seconds.

Six EQ bands for body, bite and air. Flat at zero; useful before or after an amp.

Clean bass fundamentals with separately driven upper harmonics.

Independent low and high compression steadies bloom and pick attack.

Short, drifting tape-style doubletracking from thickening to slapback.

Detune a second copy by cents for layered leads and shimmering chords.

Eight-step rhythmic chopping with gallops, broken beats and soft edges.

Blend octave-up shimmer into a diffuse hall while keeping the dry attack.

Hold a played texture as a sustained pad and play over it.

Chewy, uneven phase motion with an optional throbbing pulse.

Three tape-style playback heads create layered rhythmic repeats.

Transparent crunch with bass cut before the drive and treble shaping after it.

Spitting, bias-shaped fuzz with a gate that deliberately chops quiet note tails.

Smooth sustained notes with optical-style recovery while keeping your pick attack.

Eight repeating filter positions turn held chords and notes into rhythmic vowels.

Alternates bass and treble pulses for warm, swirling harmonic tremolo.

Crush bit depth and sample rate for crunchy, intentionally digital textures.

Repeats step back under your picking and bloom into the gaps between phrases.

Two independent, related delay times make interlocking rhythmic repeats.

Crossfaded backward audio windows create dreamy swells; the wet sound needs a capture window.

Drive a splashy spring tank with Dwell, then shape the return with Tone.

Raises your signal without adding grit. Push the amp harder or lift a quiet guitar.

Shape bass and treble with independent EQ to tighten lows or soften a bright guitar.

Adds body and air while taming piezo harshness. A tone shaper for acoustic pickups, not an acoustic guitar capture.

Adds warm, mid-focused crunch that helps leads cut and tightens a driven amp.

Blends clear pick attack with rounded drive, from a gentle push to singing leads.

Touch-sensitive grit for blues rhythm and edge-of-breakup lead tones.

Grainy, biting distortion with a filter that rolls off sharp high frequencies.

Firm, bright distortion for crunchy rock rhythms and sustained lead notes.

Your picking steers a blend of drive and unruly fuzz. Dig in for more chaos.

Thick, smooth fuzz with long sustain and a scooped voice for big riffs and leads.

Raw, rounded vintage fuzz with a loose, expressive response.

Adds a snarling upper-octave edge to fuzz. Single-note leads sing; chords turn wild.

Move Position to sweep a vocal wah, or park it for a focused lead tone. Controlled by the on-screen knob.

A resonant auto-wah follows your picking strength for squelchy funk and expressive single notes.

Evens out picking volume and extends sustain. Useful for clean rhythm, country, and tapping.

Turns down hiss between phrases. Keeps high-gain stops tidy without removing noise during notes.

Fades in each phrase for bowed, ambient swells. Leave a quiet gap to reset the swell.

Adds synthesized octave voices above or below your guitar for bass weight and organ-like layers.

Sweeps soft notches through your tone for a swirling, vintage psychedelic sound.

Blends your guitar with a gently detuned copy for wider, shimmering clean tones.

Adds a short, sweeping echo for metallic movement and jet-plane whooshes.

Pulses the volume in a repeating rhythm, from a gentle shimmer to deep throbs.

Bends pitch gently up and down for seasick wobble and vintage tape-like movement.

Swirls bass and treble at different speeds for organ-like rotary movement. A mono rotary approximation.

Mixes your guitar with an oscillator for metallic bells, robotic tones, or slow pulsing.

Adds warm repeats that get darker as they fade. Great for soft space behind a lead.

Adds worn, drifting tape-style repeats with adjustable age and wobble.

Adds clear, precise repeats for rhythmic riffs, dotted-eighth patterns, and clean echoes.

Wraps notes in a moving ambient tail; ducking keeps your picking clear.

Places your guitar in a resonant space, from a close room to a long, spacious tail.

Chromatic guitar and bass tuner. Tap the footswitch to mute all output and tune from the clean input.

Tap one shared tempo for every synced delay and modulation pedal. Your individual note divisions stay intact.